Awards and Accolades

Click on the image to go to the Audible or Amazon page for that title where you can listen to a sample.

2019 EARPHONES AWARD – YOUNG ADULT

Loki: Where Mischief Lies

by Mackenzi Lee

2018 EARPHONES AWARD – CONTEMPORARY CULTURE

Ten Arguments For Deleting Your Social Media Accounts Right Now

by Jaron Lanier

2018 EARPHONES AWARD – CHILDREN

Crash

by Marc Favreau

2016 EARPHONES AWARD – FICTION

A Little Life

by Hanya Yanagihara

2015 EARPHONES AWARD – MYSTERY & SUSPENSE

Shark Skin Suite

by Tim Dorsey

2014 EARPHONES AWARD – FICTION

The Good Luck of Right Now

by Matthew Quick

2011 EARPHONES AWARD – MYSTERY & SUSPENSE

Electric Barracuda

by Tim Dorsey

2010 EARPHONES AWARD – MYSTERY & SUSPENSE

Interface

by Neal Stephenson

2010 EARPHONES AWARD – YOUNG ADULT

Annexed

by Sharon Dogar

2009 EARPHONES AWARD – FICTION

Practical Demonkeeping

by Christopher Moore

2008 EARPHONES AWARD – BUSINESS & FINANCE

Leading Change

by John Kotter

2008 LISTEN UP AWARD – NON-FICTION
2009 AUDIE AWARD – NON-FICTION
2009 AUDIE AWARD – JUDGE’S AWARD

Hot, Flat, and Crowded

by Thomas Friedman

2008 EARPHONES AWARD – MYSTERY & SUSPENSE

Atomic Lobster

by Tim Dorsey

2008 EARPHONES AWARD – FICTION

Winter’s Tale

by Mark Helprin

2007 EARPHONES AWARD – PERSONAL GROWTH

Juggling Elephants

by Jones Loflin and Todd Musig

2007 EARPHONES AWARD – MYSTERY & SUSPENSE

Hurricane Punch

by Tim Dorsey

2005 EARPHONES AWARD – CONTEMPORARY CULTURE
2006 AUDIE AWARD – NON-FICTION, UNABRIDGED

The World Is Flat

by Thomas Friedman

2004 EARPHONES AWARD – CONTEMPORARY CULTURE

The Big Year

by Mark Obmascik

2003 LISTEN UP AWARD – BIOGRAPHY/MEMOIR
2003 EARPHONES AWARD – BIOGRAPHY & MEMOIR

A Million Little Pieces

by James Frey

2002 EARPHONES AWARD – CONTEMPORARY CULTURE

The Joy of Pi

by David Blatner

2001 AUDIE AWARD – INSPIRATIONAL/SPIRITUAL

It’s Not About the Bike

by Lance Armstrong with Sally Jenkins

The following are excerpts from actual user reviews on Audible.com:

Hanya Yanagihara’s A Little Life

Mr. Wyman handled very difficult subject matter with an even hand–or rather, voice. He also stayed out of the way of the text, complimenting the writing rather than dominating it. I so appreciate a subtle narrator.

I can’t say enough about Oliver Wyman’s performance. His character’s voices were subtly different from each other, but enough so to convey the personalities of the main characters. His acting itself was tremendously good and created the reality of the story perfectly. His ability to convey the emotions of the book and its characters was key to the quality of this audio book and it’s many opportunities to cause tears to spill and long hours of entranced listening to be spent.

I have read the book, but the audio version is even more emotional, as Oliver Wyman delivers the most authentic performance of any book I have ever listened to. His voice is beautiful, and tortured, and his portrayal of my most beloved fictional “friends” will be forever etched in my heart. Listen. To. This. Book. P.S. I know it’s lengthy; don’t utilize the speed-up on this one. It deserves the full 100% cadence of Mr. Wyman’s voice to tell this story.

As for the narrator. Oliver Wyman is singularly the best I’ve listened to (and I’ve listened to a lot of narrators). His cadence and tone and pace and his sensitivity to delicate subject matter – I’m in awe. There was not a single moment when I was torn from the narrative by a mispronunciation, misinterpretation, or inappropriate change in pitch to accommodate the novel’s cast. In fact, as soon as I hit “submit” on this review, I’ll search for another book narrated by Wyman.

Tim Dorsey’s Serge Storms books

Wyman, as always, is a joy. He’s like a one-man repertory company. He’s got a voice (the right voice!) for each character, he never confuses them, or you. I’ve got a library full of books I wouldn’t otherwise read, just because Wyman reads them.”

The narrator, Oliver Wyman, is to recorded books what Mel Blanc was to Warner Bros cartoons. His range of vocal characterizations is extremely wide and consistent. I have NEVER heard any narrator so completely inhabit a character as Wyman does Serge.”

And Oliver Wyman performs absolutely the greatest voices for all of the characters and has such great timing. He’s one of my all-time favorite narrators (of the over 400 books in my library).

Finally, I have to comment on the audiobook’s narrator, Oliver Wyman. Holy s***. I was floored by his ability to morph into male and female characters at any moment. His portrayal of Serge and Coleman is EXACTLY how I always thought they’d sound – from Serge’s manic tenor to Coleman’s stoned baritone. Wyman’s voice work with even the female characters of Julie and Vix is incredible – you are very aware you’re dealing with women even though it’s a man doing the voices. There are also several elderly women in various parts of the narrative and these are given the special elements needed to illustrate that age difference. Out of all the audiobooks I’ve listened to, with narrators from various countries around the world, I have never been so impressed by anyone as I am by Oliver Wyman. He’s the main reason I say that Dorsey’s books should be listened to rather than read. The hysterical, madcap nature of these stories shine through so much more under Wyman’s care.

Louis L’Amour’s Passin’ Through

This narrator very well captures the unique and whimsical style of my favorite Louis L’Amour novel.”

A fantastic story I love the character Passin’ Through, and Oliver Wyman read the character to perfection. I will listen to this book again with great joy and wonder.”

I have heard very, very many narrators, and this guy dazzles me. He was born to narrate this book. Each character, male or female, has a distinct voice. Each sounds authentic, as regards age, gender, and background. The pace of his reading is just right. It is like listening to a play. You will immerse into the story naturally, as you will forget he’s there.